And you say "Hang on, Hang on! Why'd you let go? Berger : Because I was tired! Conrad "Con" Jarrett : Oh yeah? Well, screw you, you jerk! Berger : [Back in reality] It hurts to be mad at him, doesn't it? Conrad "Con" Jarrett : God, I loved him. It's not fair. You just do one wrong thing, and Berger : And what was the one wrong thing you did?
You know. Conrad "Con" Jarrett : I hung on. I stayed with the boat. Berger : Exactly. Sign In. Play trailer Director Robert Redford. Top credits Director Robert Redford. See more at IMDbPro. Trailer Official Trailer. Clip Video Sneak Previews Season 3 Episode 1. Photos Top cast Edit.
Timothy Hutton Conrad as Conrad. Dinah Manoff Karen as Karen. Basil Hoffman Sloan as Sloan. The appeal was the powerful story with its vivid characterizations—including a family dynamic I could relate to. Again, I note, it was Robert Redford! He said, "I can't talk right now, I'm having a nervous breakdown.
Hope it all works out. He said, "I don't want to play the psychiatrist, but I'd love to play the husband. But I wanted to play the father. The marriage reminded me of one that I was familiar with. So [Redford] thought about it, and then he cast me. He said, "It was either you or Gene Hackman. I thought, "Wait a minute: This would be great because he seems like he's a little nuts.
Berger ] I asked if I could read the book, and he sends me the book. I said, "You gonna change the title? I said, "Good. They had cast a pretty wide net for [Conrad]. There was a total of five or six auditions; the fifth one was with Redford. He was sitting behind a desk and was eating a chicken salad.
There was something that made you instantly relax when you were around him. I remember how clear he was as a communicator—not just direct in what he had to say but in pulling things out of you. From the beginning he had a great ability to be very specific and go deeper at all times. He'd send me drafts of the script with a note: Judy, feel free to wail.
I never felt like wailing because I always felt like he was listening to me. I thought Timothy Hutton was perfect, just perfect. Redford asked me to come down for this screen test.
I walked on the stage, and it was Ann-Margret [as Beth]. I said, "Can you just hold on for a couple of weeks? In retrospect, I see what an unusual man he is and what an unusual situation it was.
They thought it was decidedly uncommercial. Especially because it was going to be Mary Tyler Moore. No studio wanted it. Yet Diller, who was above them, was. That surprised me. He said, go ahead and do it. That was the big gift that I got—the support of Barry Diller to make this film.
Redford instructed cast and crew to not interact with Hutton on or off the set. It would be up to him what to do with it, but I didn't want him to feel like he had a lot of support because the character didn't. He was wonderful. It was a brand-new thing for him, and he was raw and totally open. I didn't know what was going on.
If I had been aware of the strategy, it would have been easier for me, but it would have defeated the brilliant purpose Redford had in mind, which was to keep me off balance. Very mature for his years. I remember going to the craft-services table and saying, "Good morning.
Without turning around she just said, very quietly, "Hello. The film was a critical and commercial success, winning that year's Academy Award for Best Picture and various other major film awards. Robert Redford's directorial debut ended up the Oscar winner for Best Picture. It is a simple but painfully emotional story of the disintegration of a "perfect" family.
Teenager Conrad Timothy Hutton lives under a cloud of guilt after his brother drowns after their boat capsizes in Lake Michigan.
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